Mauro C. Martinez

Born in 1986, now lives in Texax, USA. Mauro C. Martinez juxtaposes common pictorial forms from art history with the monotonous streams of online imagery that we, as an increasingly digital society, are so often subjected to. Skillfully utilising metaphor, irony and dark humour, Martinez’s paintings respond to the doctrines of internet culture, at once critiquing and mocking our relationship with contemporary imagery.

The word ‘meme’ stems from the Greek ‘mimēma’ which means ‘that which is imitated’. When one object or creation imitates another there is an inherent potential present: namely, the potential for satire. Martinez interacts with the cultural phenomenon of the meme in order to examine a society hell-bent on voracious image consumption and, in doing so, to pose the question “what happens when you imitate

the imitated?” The meme has certain inherent qualities: it is quickly made, somewhat crude, critical yet flippant and has the potential to reach immensely large audiences extremely quickly. These traits contrast starkly with that of traditional oil painting, Martinez fuses the two and simultaneously challenges the conventions of seemingly opposed image making.

Martinez's works are exhibited worldwide and collected by the Bunker Foundation (Rudin Woody Collection), Los Angeles, United States; Emergencies Art Foundation, Beirut, Lebanon; M+Museum, Hong Kong, China; Para Site, Hong Kong, China; Robbins Collection, London, UK; W Art Foundation, Hong Kong, China; Xiao Contemporary Art Museum, Rizhao, Shandong, China, etc.

Artworks

Exhibitions

  • Le premier homme

    2023.7.29 - 2023.9.11

  • #TGIF - Thank God It's Fungible

    2021.11.5 - 2022.2.14

Fairs

  • 2021 ART021

    2021.11.11 - 2021.11.14